There’s an excellent new feature in Frieze magazine about pioneering German producer Conny Plank, who worked with John Foxx on Ultravox’s Systems Of Romance. Plank was one of the most innovative producers in electronic music, pivotal in the careers of … Read the rest of this entry →
Great audience and venue in Madrid on Saturday. Thanks very much to David for making it happen. Photos by Olmo González. Also last week, Spain’s biggest music magazine Rockdelux ran a fantastic review of The Shape Of Things: The promotional … Read the rest of this entry →
Gary Numan was recently filmed by the BLOC festival at Benge’s Maths studio in London. Gary talks about the impact the first three Ultravox albums – Ultravox!, Ha! Ha! Ha! and Systems Of Romance had on his own pioneering work. … Read the rest of this entry →
John Foxx And The Maths will be playing a one-off show in Madrid, Spain on 26 May. This will feature the full-line of John Foxx, Benge, Hannah Peel and Serafina Steer.
You can buy tickets HERE
Benge from The Maths has just released a new solo album, Abstraxa: Abstraxa – exploring the outer reaches, using the Buchla Electronic Music Box The six compositions featured on Abstraxa were realised on a Buchla modular synthesiser. Donald Buchla began … Read the rest of this entry →
(Photo by Mike Cooper) THE SHAPE OF THINGS REVIEWS – 7/10 CLASSIC ROCK Electronic pioneer shows how it’s done. Named after an HG Wells novel, this album’s title omits the words ‘To Come’, possibly because John Foxx has been living … Read the rest of this entry →
REVIEW OF THE SHAPE OF THINGS (RELEASED ON 19 MARCH, 2012) 4/5 MOJO MAGAZINE Early Ultravox enigma’s second with Benge. Never a man to shout from the rooftops when an electronically distorted murmur will do, John Foxx is quietly top-ranking … Read the rest of this entry →
John Foxx And The Maths are set to release a 16 track single CD version of the new album, The Shape Of Things on 19 March, 2012. The single CD will feature ‘Talk (Beneath Your Dreams)’ which is a collaboration … Read the rest of this entry →